American art and visual culture
Bowdoin Magazine
Antiques & The Arts Weekly
The Republic of the Spirit
Painting US Empire
Tastemakers, Collectors, and Patrons
Nancy Elizabeth Prophet
The Declaration in Script and Print
Starr Collection of Portrait Miniatures
“The Mask of a Very Definite Purpose”
Cultures of Seaweed
Richard Diebenkorn: The Catalogue Raisonné of Prints
Hidden in Plain Sight
Napoleon Sarony’s Living Pictures
Prints of a New Kind
“The Mask of a Very Definite Purpose”
William Herbert “Buck” Dunton
Alexis Smith: The American Way
The Devil is in the Details: Cutting, Cropping, and Visual Violence
Panorama
Clare Leighton and the New England Industries Series
Transforming the Ordinary
Fellow Journeyers Walt Whitman and Jesse Talbot
Sanford Biggers: CodeSwitch
Designing a New Tradition
Painting a Nation
Contraband Guides
“Walt Whitman and New York” Symposium
Power and Posterity: American Art at Philadelphia’s 1876 Centennial Exhibition
The Warsaw Ghetto in American Art and Culture
Wyeth Vertigo
A is for Archive: Warhol’s World from A to Z
Pier Groups: Art and Sex Along the New York Waterfront
Against Our Will: Sexual Trauma in American Art Since 1970
Judy Glickman Lauder: Beyond the Shadows: The Holocaust and the Danish Exception
Maine and the Index of American Design
Why Art Museums? The Unfinished Work of Alexander Dorner
N.C. Wyeth: Poems of American Patriotism
Maine Women Magazine
The Moving Panorama of Pilgrim’s Progress
The Badge of the Freemason
Panorama Film (video)
Bernier the Lumberman
A Great Work
The Graphics of Winslow Homer
Lasting Impressions
Charles Codman
Bernard Langlais: Independent Spirit
Consuming Views: Art and Tourism in the White Mountains, 1850-1900
Jessica Skwire Routhier 