Editing
Power and Posterity: American Art at Philadelphia’s 1876 Centennial Exhibition
The Warsaw Ghetto in American Art and Culture
Transmitting the Spirit: Religious Conversion, Media, and Urban Violence in Brazil
Wyeth Vertigo
“Matisse’s Illustrations for Mallarmé’s Poésies”
Theophilus and the Theory and Practice of Medieval Art
Image, Action, and Idea in Contemporary Jewish Art
A is for Archive: Warhol’s World from A to Z
Pier Groups: Art and Sex Along the New York Waterfront
Against Our Will: Sexual Trauma in American Art Since 1970
Judy Glickman Lauder: Beyond the Shadows: The Holocaust and the Danish Exception
Nerve: From Aristotle to Ramón y Cajal
Projecting Citizenship: Photography and Belonging in the British Empire
Maine and the Index of American Design
Shelburne Museum
Why Art Museums? The Unfinished Work of Alexander Dorner
N.C. Wyeth: Poems of American Patriotism
Panorama Journal
The Moving Panorama of Pilgrim’s Progress
The Baltimore Museum of Art
Maine Archives and Museums Newsletter
In No Strange Land: The Embodied Mysticism of St. Philip Neri
Scottish Rite Masonic Museum
Portland Arts Guide 2008
Lasting Impressions
Alberto Giacometti
Dahlov Ipcar
Harmonies and Contrasts: William and Marguerite Zorach
Bernard Langlais: Independent Spirit
The Maine Perspective
Bright Common Spikes: The Sculpture of John Bisbee
Vividly True to Nature: Harrison Bird Brown (1831–1915)
Saco Revisited
The 2010 Mill-ennial: Celebrating the Art and Artists of the Cities on the Saco
Making History: Art and Industry in the Saco River Valley
Unconventional Portraits: Photographs by Charles E. Moody
The 2012 Mill-ennial
Maine: A Photographic Portrait of the Pine Tree State
Max Weber: Bringing Paris to New York
“I My Needle Ply With Skill”: Maine Schoolgirl Needlework of the Federal Era
The Baltimore Museum of Art: Celebrating a Museum
