Projects
Léonce Rosenberg’s Cubism
Napoleon Sarony’s Living Pictures
Prints of a New Kind
“The Mask of a Very Definite Purpose”
Joanna Logue: Echoes
Museum Data in Microcosm
William Herbert “Buck” Dunton
Why Architecture Matters
The Kabbalistic Tree / האילן הקבלי
Alexis Smith: The American Way
Museum of Contemporary Art San Diego
The Dug-Up Gun Museum
Fragment, Image, and Absence in 1960s Japan
In Light of Rome
Animating the Antique
Art & Graphic Design
Robert Motherwell Drawings
An Adventurous Spirit: The Jane Costello Wellehan Collection
An Artful Relic
Playful Pictures
The Moving Statues of Seventeenth-Century Amsterdam
Visualizing Household Health
Sculptors Against the State
Catherine of Aragon
Radical Dreams
Habsburg Madrid
The Devil is in the Details: Cutting, Cropping, and Visual Violence
Electrifying Design
Journal of Historians of Netherlandish Art
Panorama
Women Artists, Their Patrons, and Their Publics in Early Modern Bologna
The Lives and Afterlives of Medieval Iconography
Visual Aggression
Amanda Williams: An Imposing Number of Times
Clare Leighton and the New England Industries Series
Transforming the Ordinary
Fellow Journeyers Walt Whitman and Jesse Talbot
Becoming Audible
The Map of Every Lilac Leaf
Sanford Biggers: CodeSwitch
Designing a New Tradition
America and the Art of Flanders
Our Days Are Like Full Years
Why Monet Matters
Albrecht Dürer and the Embodiment of Genius
Painting a Nation
Framing the Church
Contraband Guides
Jessica Skwire Routhier 