Editing
Animating the Antique
Art & Graphic Design
Robert Motherwell Drawings
An Artful Relic
Playful Pictures
The Moving Statues of Seventeenth-Century Amsterdam
Visualizing Household Health
Sculptors Against the State
Catherine of Aragon
Radical Dreams
Habsburg Madrid
Electrifying Design
Journal of Historians of Netherlandish Art
Panorama
Women Artists, Their Patrons, and Their Publics in Early Modern Bologna
The Lives and Afterlives of Medieval Iconography
Visual Aggression
Amanda Williams: An Imposing Number of Times
Clare Leighton and the New England Industries Series
Transforming the Ordinary
Becoming Audible
The Map of Every Lilac Leaf
Sanford Biggers: CodeSwitch
Designing a New Tradition
America and the Art of Flanders
Our Days Are Like Full Years
Why Monet Matters
Albrecht Dürer and the Embodiment of Genius
Painting a Nation
Framing the Church
Contraband Guides
Michelangelo’s Inner Anatomies
Gothic Architecture and Sexuality in the Circle of Horace Walpole
Hebrew Psalms and the Utrecht Psalter
Titian’s Icons
Making a Photographer: The Early Work of Ansel Adams
“The Spanish Element in Our Nationality”: Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915
Meyer Schapiro’s Critical Debates Art Through a Modern American Mind
Iconoclasm in New York: Revolution to Reenactment
Pygmalion’s Power: Romanesque Sculpture, the Senses, and Religious Experience
Drawing Degree Zero: The Line from Minimal to Conceptual Art
Defiant Vision: Prints & Poetry by Munio Makuuchi
Hagia Sophia: Sound, Space, and Spirit in Byzantium
Power and Posterity: American Art at Philadelphia’s 1876 Centennial Exhibition
The Warsaw Ghetto in American Art and Culture
Transmitting the Spirit: Religious Conversion, Media, and Urban Violence in Brazil
Wyeth Vertigo
“Matisse’s Illustrations for Mallarmé’s Poésies”
Jessica Skwire Routhier 