Projects
Should We Care About the Past?
Theaster Gates: Unto Thee
Ursula von Rydingsvard
Noble Beasts
Seeing Silence
Form For Movement’s Sake
Envisioning America
The Monument of Tomorrow
Bowdoin Magazine
What We Know, What We Wish
Antiques & The Arts Weekly
Gardner’s Art Through the Ages
What’s New in The Chicago Manual of Style 18th Edition?
Celebrating Ten Years of Panorama
Delacroix’s Moroccans
Cezanne’s Shadows
Lies of the Land
Guarding the Art / Protegiendo el arte
Recasting the Past
Ribera’s Repetitions
Architectural Revolution on the Ottoman Frontier
The Republic of the Spirit
Painting US Empire
Tastemakers, Collectors, and Patrons
Facing Images
The Art of the Literary Poster
Nancy Elizabeth Prophet
Actors Carved and Cast
The Revolution Takes Form
The Declaration in Script and Print
Starr Collection of Portrait Miniatures
Gender Violence, Art, and the Viewer
The Man Who Broke Michelangelo’s Nose
Mood of the Moment
Nelson-Atkins Museum French Paintings Catalogue
Democratizing Digital Art History
Isfahan
Networks of Touch
Illuminating the Vitae patrum
Machine Modernism, Masculinity, and the Trauma of War
“The Mask of a Very Definite Purpose”
When Harry Met Pablo
Cultures of Seaweed
Richard Diebenkorn: The Catalogue Raisonné of Prints
Grand Reopening of the Bruce Museum
Hidden in Plain Sight
America and Other Myths
A Window Suddenly Opens
Jessica Skwire Routhier 